91¶¶Òõ

Please consent to cookies to view content.

' ); iframeDoc.close(); } } } } } const observer = new MutationObserver(switchSrc); observer.observe(document.documentElement, { childList: true, subtree: true, }); })();

91¶¶Òõ

Last updated

15 July 2026

pptx, 2.67 MB
pptx, 2.67 MB

A focused OCR A-Level Media Studies theory lesson applying Albert Bandura’s Media Effects Theory to Lupin: Chapter One for the LFTVD exam question.

This fully editable PowerPoint (.pptx) lesson is designed as a stand-alone theory, recap or revision lesson for OCR A-Level Media Studies Paper 2: Evolving Media, Section B – Long Form Television Drama.

The lesson explores how Albert Bandura’s Media Effects Theory can be applied to Lupin, considering whether audiences may learn behaviours and attitudes through observation, imitation and influential role models. Students begin by discussing why audiences might be more likely to copy a character who is successful, rewarded or admired, before linking these ideas directly to Assane Diop.

Students then develop their understanding of Bandura’s theory, learning that audiences are more likely to imitate behaviour when a model is rewarded, successful, attractive, powerful and not clearly punished. The lesson also considers the limitations of the theory, recognising that modern audiences may admire a character without directly copying their behaviour.

The lesson applies Bandura through detailed analysis of key moments from Lupin: Chapter One, including Assane’s meeting with the gang, his persuasive leadership, his success during the Louvre heist, his disguise, his relationship with his son and his calm, charismatic anti-hero persona. Students evaluate how these moments construct Assane as a potentially influential model for audiences while also considering his moral complexity.

Students also evaluate the relevance of real-world media effects, using the 2025 Louvre jewellery robbery as a discussion point. The lesson encourages debate about whether media texts simply raise questions about influence or whether it is too simplistic to claim that media directly causes criminal behaviour.

The lesson concludes with a 30-mark-style exam response: How relevant is Bandura’s theory of media effects when applied to Lupin Episode 1? It includes sentence starters, a word bank, a model response, evaluation of Bandura’s limitations and a clear judgement. This lesson links directly to OCR A-Level Media Studies LFTVD 30-mark questions, particularly those requiring theory application, audience interpretation and evaluation.

This lesson covers
OCR A-Level Media Studies
Paper 2: Evolving Media
Section B: Long Form Television Drama
LFTVD
Lupin: Chapter One
Albert Bandura
Media Effects Theory
Observatio

Get this resource as part of a bundle and save up to 33%

A bundle is a package of resources grouped together to teach a particular topic, or a series of lessons, in one place.

Bundle

OCR A Level LFTVD Theory Bundle

A complete OCR A-Level Media Studies LFTVD theory bundle for Paper 2: Evolving Media, Section B – Long Form Television Drama, focused on applying key media theorists to Stranger Things and Lupin. This bundle contains 6 fully editable PowerPoint lessons designed specifically for the LFTVD section of the OCR A-Level Media Studies specification. The lessons support students with applying, analysing and evaluating theory in relation to the set texts: Stranger Things, Season 1 Episode 1: The Vanishing of Will Byers and Lupin, Chapter One. Each lesson is focused on a key theorist and includes clear theory explanation, retrieval tasks, application to the set texts, structured analysis activities, printable-style tasks, word banks, sentence starters, model responses, judgement prompts and exam-style writing practice. The bundle is particularly useful for preparing students for the OCR A-Level Media Studies Paper 2 LFTVD 30-mark question, where students are expected to use relevant theory to support analysis of media language, representation, audience, industry and contexts. Suggested teaching order 1. Steve Neale – Genre Theory Students begin by exploring genre conventions, hybridity, repetition and difference across Stranger Things and Lupin. This is a strong starting point because it helps students understand how both LFTVD texts use familiar genre conventions while also offering fresh elements to appeal to audiences. 2. Claude Lévi-Strauss – Binary Oppositions This lesson focuses on how binary oppositions create meaning, particularly in Lupin. Students analyse contrasts such as rich vs poor, justice vs injustice, appearance vs reality, past vs present and power vs powerlessness, linking these to narrative, media language and audience engagement. 3. Stuart Hall – Reception Theory Students then move from how meaning is constructed to how audiences interpret meaning. This lesson applies Hall’s preferred, negotiated and oppositional readings to character representations in Stranger Things, including Mike, Eleven and Chief Hopper. 4. Albert Bandura – Media Effects Theory This lesson explores whether audiences may learn behaviours or attitudes through observation and imitation. Students apply Bandura to Lupin, focusing on Assane Diop as a charismatic anti-hero who is presented as intelligent, confident, successful and morally complex. 5. George Gerbner – Cultivation Theory This lesson develops audience theory further by considering long-term media influence. Students explore cultivation, mean world syndrome and mainstreaming, applying these ideas to repeated messages in Stranger Things and Lupin around danger, authority, social roles, power, class and mistrust. 6. David Hesmondhalgh – Cultural Industries Theory The bundle finishes with industry theory, linking Stranger Things to Netflix, commercial risk, familiar genre conventions, nostalgia, originality, audience appeal and profit. This supports OCR LFTVD industry and audience discussion within the Paper 2 specification. What is included? 6 fully editable PowerPoint lessons OCR A-Level LFTVD theory lessons Steve Neale Genre Theory lesson Claude Lévi-Strauss Binary Oppositions lesson Stuart Hall Reception Theory lesson Albert Bandura Media Effects Theory lesson George Gerbner Cultivation Theory lesson David Hesmondhalgh Cultural Industries Theory lesson Do Now retrieval tasks Teacher feedback/model answer slides Key theory explanation slides Application tasks for Stranger Things and Lupin Scene and extract analysis tasks Printable worksheet-style slides Word banks Sentence starters Exam-style questions Model responses Judgement prompts WWW and EBI reflection tasks Self-assessment success criteria Key topics covered OCR A-Level Media Studies Paper 2: Evolving Media Section B: Long Form Television Drama LFTVD Stranger Things Stranger Things S1E1: The Vanishing of Will Byers Lupin Lupin: Chapter One Steve Neale Genre theory Repetition and difference Genre hybridity Claude Lévi-Strauss Binary oppositions Stuart Hall Reception Theory Preferred reading Negotiated reading Oppositional reading Albert Bandura Media Effects Theory Observation and imitation George Gerbner Cultivation Theory Mean world syndrome Mainstreaming David Hesmondhalgh Cultural Industries Theory Netflix Audience theory Industry theory Media language Representation 30-mark exam practice This bundle can be used as: A complete OCR A-Level LFTVD theory teaching sequence A Paper 2: Evolving Media LFTVD theory unit A Stranger Things and Lupin theory application pack A 30-mark exam preparation bundle A Year 12 or Year 13 LFTVD revision resource An intervention pack for theory application A structured sequence for improving exam writing A recap sequence after teaching the LFTVD set texts This bundle includes fully editable PowerPoint (.pptx) lessons. This resource is independently created and is not endorsed by OCR.

£19.99

Reviews

Something went wrong, please try again later.

This resource hasn't been reviewed yet

To ensure quality for our reviews, only customers who have purchased this resource can review it

to let us know if it violates our terms and conditions.
Our customer service team will review your report and will be in touch.